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Thursday 15th July 2010 - Author:
Adam
Château de Sacy
image-from left to right-Stefan Armour,Hermine Demoriane,Adam Nankervis,Deborah Wargon,Hilary Kitz
Samedi 17 juillet à 16heures
château de Sacy
Rencontre avec ADAM NANKERVIS
artiste -en - résidence en juillet
~Cannon~Hermine Demoriane~Hilary Kitz~Deborah Wargon (lyricist+composer)~piano Stefan Armour~presentation~Adam Nankervis
Samedi 17 juillet à 16heures-Saturday 17 july 4pm
Château de Sacy
Rencontre artiste -en - résidence en juillet
Chateau de Sacy
www.chateaudesacy.com
--
Tuesday 29th June 2010 - Author:
Adam
Ukrainian Art in Transition at PERMM Museum of Contemporary Art
ЯКЩО / ЕСЛИ / IF
Ukrainian Art in Transition
Exhibition at the PERMM Museum of Contemporary Art
May 21 – July 10, 2010
On May 21, a major exhibition of Ukrainian contemporary art opens at the PERMM Museum of Contemporary Art in Perm, Russia. 'ЯКЩО/ЕСЛИ/IF' will be the first large-scale show of Ukrainian art beyond that country's borders, and is the brainchild of the museum and the Moscow-based curator Ekaterina Degot.
The exhibition features art that reflects the distinctive contours of Ukrainian life after the Orange Revolution – an unstable but productive ferment, full of contradictions, promises from politicians, hope for a new post-Communist footing, and disenchantment with neoliberalism. Ukrainian art of that period is one facet of an outpouring of revolutionary and creative energy.
The main part of the exhibition showcases around 100 works by 30 artists. They are grouped into 4 sections: 'Maidan' focuses on political and public art. 'Wonderland' includes critical reflections on nationalism and bureaucratic notions of ethnic identity. 'Phantoms' shows visionary painting, and 'Dreamers' is for reflections on the social and emotional underpinnings of contemporary Ukraine.
Participating artists include Sergei Bratkov, Olexandr Gnylytsky, Arsen Savadov, and younger talents such as Zhanna Kadyrova and the R.E.P. and Soska groups.
A special section of the exhibition – 'Histories' – explores unofficial Soviet art from the 1980s until the beginning of the 1990s, a formative time for today's artists. There are Ukrainian paintings from the collection of Marat Guelman, conceptual and naive art from the collection of the Odessa- and Kiev-based artist and curator Alexandr Roytburd, and an exposition of the Kharkov school of underground photography, which gave rise to Boris Mikhailov and Sergei Bratkov.
The show opens with lectures and discussions with Ukrainian artists. Some elements of the project will be staged in the city itself, and there will be a catalog in Russian and English.
Support for the exhibition is provided by the ArtKhronika Cultural Fund in Moscow and the New Collection Fund for the Support of Cultural Projects in Perm. The official insurance partner is OAO Alphastrakhovanie.
Monday 7th June 2010 - Author:
Adam
LONDON BIENNALE : THE BEGINNING by David Medalla
LONDON BIENNALE :
THE BEGINNING
by David Medalla
This year, 2010, the FIFA Football World Cup will be held in South Africa. Newspapers and magazines are teeming with articles and photographs of South Africa. There are extensive media coverage of the sports facilities which the South African government has erected to host this global event. I saw colour photographs of the massive new football stadium in Cape Town. Seen from the air the concrete stadium looks like a solid mandala that has fallen from the sky: a beautiful structure with the famous Table Mountain in the background.
The photo of the stadium that I saw was probably taken from the upper storey of a tall buildiing: a modernist skyscraper in the Greenpoint district of Cape Town where Adam Nankervis and I stayed during the 2nd Johannesburg Biennial. The year was 1997. I was a DAAD artist in Berlin. The year before Adam Nankervis started MUSEUM MAN in Prenzlauerberg in East Berlin. MUSEUM MAN has since become a nomadic museum of contemporary art from all parts of the world.
Cuban curator and art historian Gerardo Mosquera (a previous director of the Habana Biennial in Cuba) invited Adam Nankervis and me to participate in the 2nd Johannesburg Biennial which was directed by Okwui Enwezor in 1997.
Gerardo Mosquera installed the works of the artists he personally invited in the Johannesburg Art Gallery. Brazilian scuptor Cildo Meireles greeted us when we arrived at the gallery. Cildo had finished his installation and there was just enough time for him to say 'Hello' to us and for him to catch a plane to America.
Adam and I created installations inside the Johannesburg Art Gallery, participatory installations in relation to the theme "Trade Winds" , the theme of the 2nd Johannesburg Biennial. In the centre of our twin installations was a large circular table on which we invited the spectators to the show to put anything on it in exchange for anything they find on the table. One person put a book of Nelson Mandela's speeches which another person exchanged for his expensive wrist watch. I told the director of the Johannesburg Art Gallery that perhaps someone from Soweto might come and bring a goat and exchange it for a chair by Gerrit Rietveld which is in the gallery's collection. Alas, that did not happen.
During the first week of the Johannesburg Biennial, Adam and I went to Cape Town.We stayed in a bed and breakfast inn beneath the Table Mountain. One bright sunny morning Adam and I sailed from Cape Town on a sail boat accompanied by a small crew of sailors and cameramen and women. We sailed past the Cape of Good Hope towards Cape Point: to the place where the Indian and Atlantic Oceans meet. It was the place where dolphins, sharks and whales mate.
From our boat Adam and I unfolded a colourful piece of cotton cloth above the waters. The winds helped Adam and me in shaping the billowing cloth into the letter "C" - the initial letter of Cape Town. A video was made of our event, which was part of our on-going project entitled "The Secret History of the Mondrian Fan Club". We took the video back to Johannesburg and showed it in our twin installations inside the Johannesburg Art Gallery.
We returned to Cape Town and stayed, the second time round, in the tall skyscraper-like modernist building at Greenpoint. During our second stay in Cape Town Adam and I created impromptu events in different parts of the city. In one event we joined a chorus of wandering singers in the city centre. In another part of the town I did an impromptu in front of a shop with the sign "A Stitch in Time". Adam did an impromptu in front of a school surrounded by a cement wall topped with a fence of barbed wire and a sign saying the barbed wire was electrified.
One day we joined artists, art critics, art historians, and art curators, who came down from Johannesburg to Cape Town, in a boat trip to Robben Island. Robben Island was where Nelson Mandela was incarcerated during the apartheid regime in South Africa. At Robben Island, the international art community conducted an impromptu conference in homage to Nelson Mandela inside one of the halls of the former island prison. Afterwards Adam and I explored the jail cells where political opponents of the apartheid regime were locked up. It was an eerie experience. I was reminded of Franz Kafka's 'The Penal Colony'. Paradoxically it was also an exhilarating experience, for apartheid had ended and the empty jail cells were mute witnesses to past state crimes while at the same time they were very real testaments to the fact that injustice could end, did end for Nelson Mandela and his fellow freedom fighters, and thus freedom can be accomplished.
It was on the boat trip to Robben Island that I conceived of the idea of the London Biennale. I discussed the idea with Adam Nankervis on our way back to Cape Town. We continued discussing the idea when we got back to Berlin.
Over the years as as an artist I have participated in many international cultural events such as Documenta in Kassel, Germany, 'Air Art' at the University of California in Berkeley Art Museum, 'Fluxattitudes' at the New Museum in New York, , 'Live/Life' at the Musee d'Art Moderne de la Ville de Paris, 'l'Inform' at the Cntre Pompidou in Paris, and in many art festivals and exhibitions all over the world. I felt that the nature of a famous cultural event such as the Venice Biennale, because of its rigid structure of selecting artists through national institutions, did not make it possible for artists who are citizens of countries without national pavillions in Venice, or artists who live the lives of exiles, migrants or refugees, artists with little or no 'profiles' in the art market, have very little chance to show their works and participate in the most prestigious of art biennales: the Venice Biennale. For many years, in the art circles of America and Europe, I was described as a 'marginal artist' (albeit with the cynosure 'par excellence') by French art critic Pierre Restany (ideologue of 'nouveau realisme') and Harald Szeemann, the curator of DOCUMENTA 5. At Cape Town in 1997I thought it was time to create a viable and memorable platform for the world's 'marginal artists', and that, initially, was the inspiration for the LONDON BIENNALE, a biennale that would be open to every artist regardless of age, sex, ethnic origin, and artistic language or style.
The first London Biennale was held in the year 2000, at the start of the new millenium, an auspicious time for an auspicious occasion. Shortly afterwards, Adam Nankervis, who is the internationl coordinator of the London Biennale, suggested that we do 'Pollinations' in different parts of the world during the years in-between London Biennale years. The first LB Pollination was 'Rio Trajetorias' coordinated by Cristiana de Melo in Rio Janeiro, Brazil. Other LB Pollinations have taken place in Berlin, New York, Rome, Ponte Nossa in Cremona, and other places around the globe.
Adam Nankervis also suggested several inter-active participatory projects such as the 'Flag-genations' (LBAs making and unfolding their personally designed flags over Tower Bridge in London, and other bridges all over the world), SIGNALS and the current SATELLITE EVENTS.
For many years Arvinder Bawa was in charge of our website in the internet.
Now, at Adam Nankervi' initiative, we have a page in FACEBOOK in which I invite all LBAs to download news and photographs of their exhibitions and events.
Artist Raffaella Losapio, director of the GalleryStudioRA in Rome, arranges for articles I write to be published in the internet magazine www.artapartofculture.org
This year being the year of the sixth LONDON BIENNALE and also, coincidentally, the year of the FIFA Football World Cup, I have been reflecting on the different effects of cultural and sporting events on people all over the world. I read a recent article in The Guardian how ambulant food vendors who traditionally have been selling inexpensive food and refreshments in the areas in South Africa where new stadia have been erected to house the football games will be asked to move away from the usual places where they have traditionlly sold cheap food and drinks to make way for officially approved caterers.
In another article, also in The Guardian newspaper of England, I read that in building a stadium in New Delhi for the coming Commonweath Games scheduled for later this year 2010, the Indian government has moved over 100,000 people from their homes to be 'relocated' elsewhere.
These two examples of uncaring behaviour by governments disgust me.
Since ancient times, since the times of the ancient Greeks and the ancient Romans, sporting games were organised by governments to proclaim and celebrate their powers. There have been. and doubtless there are, positive gains for the citizens of the countries where the games are held. In the realm of art, for example, the ancient Olympian games and the ancient Roman sporting competitions as well, gave us beautiful sculptures of athletes.
However, I look forward to the time, hopefully in the near future, when sporting events such as the FIFA Football World Cup in South Africa, will be of benefit not only to well-heeled sports fans also to the poorer and deprived citizens of the countries who sponsor such events.
One of the actions I admired the writer Andre Malraux for, when he was the Minister of Culture of the government of French president Charles de Gaulle, was the time he, Malraux, advised the imperious General de Gaulle, that instead of the French government building more stadia, the French government should build more cultural centres in France. Malraux pointed out to de Gaulle that dictators such as Hitler, Mussolini and Stalin revelled in building grandiose stadia. De Gaulle heeded Malraux's advice. The result was the building of Maisons de la Jeune Culture (Houses of Young Culture, i.e., centres for young artists) all over France. Many of those Maisons de la Jeune Culture has since been transformed into Centres of Contemporary Art in different regions of France. A few years ago Adam Nankervis and I gave performances at the vernissage of a memorable solo exhibition by Cyril Lepetit at WHARF, the cultural centre of lower Normandy, in Caen.
On the third Saturday of August this year, the 21st of August 2010, I will initiate a symposium in a boat (while sailing on the waters of the river Thames) which will be on this topic of culture and sporting events. This will be one of three different events on the river Thames in the month of August, plus Katie Sollohub's 'Long Shore Drift' at Shoreham on Sea in Sussex on the second Saturday of August (the 14th of August 2010) which, cumulatively, will form the finale of LONDON BIENNALE 2010.
The other two riverine events are a 'despedida' (farewell party) on Saturday, the 7th of August 2010, in the afternoon, at Deptford, for Alma Tischler Wood and Professor John Wood who will leave for an 8-month long sabbatical in South Korea.
On Saturday, the 28th of August 2010, at 4 p.m., I am inviting Bryan Mulvilhill of Vancouver, Canada, to give a world tea party by the Chinese Pagoda at Kew Gardens.
All artists and art lovers are joyously welcome to join in these free events of LONDON BIENNALE 2010.
David Medalla
Director of the LONDON BIENNALE
Wednesday 19th May 2010 - Author:
Adam
FILIPPOS TSITSOPOULOS SHOW MADRID
El Madrigal de la Explosion de la Ballena Sabia
Wednesday 19th May 2010 - Author:
Adam
“The Outskirts” by Peter Fillingham
LAVOMATIQUE studio Seamus Farrell
Invites you to the opening of the presentation
“The Outskirts”
by Peter Fillingham
“The Outskirts”
by Peter Fillingham
Opening Saturday 22 of May at 7pm, 6 rue Claude Monet 93400 Saint-Ouen.
Exhibition runs from 22 may to 19 June 2010. By appointment t. 06 85 80 09 23
Metro line 13, Marie de Saint-Ouen or line 4, Porte de Clignancourt.
The artist Seamus Farrell, opens his studio, a converted laundrette in Paris, to
artists with whom he collaborates on a variety of projects. The first exhibition of this
kind took place in January 2010 with a projection of documentary shorts by Mohssin
Harraki, Mason, the second artist invited into the space, chose to test a new prototype of
rotary camera showing ten colour photographs taken in the suburbs of Marrakech. The
space allowed the artist the specific requirement he needed for setting up this particular
device. Seamus Farrell chose to make the space open to the public on request in order to
provide a more personal experience and moment between the work and the viewer. An
artist’s studio such as this is a space for both the fabrication of ideas and the returning of
experiences according to a set calendar. It is along this line of thought that the English
artist Peter Fillingham accepted this invitation.
For this third collaboration, Peter Fillingham has focused his attention on the
assemblage of everyday objects, returning to question the use and function of the object.
It has now been four years since Peter Fillingham moved to Saint Ouen, a suburb of
Paris that reminds him of his hometown in England. Saint Ouen offers many possibilities.
The working space on Rue Claude Monet becomes part of daily activities, as its doors
literally open up onto the street, making this working space a part of everyday life.
The artist Seamus Farrell, opens his studio, a converted laundrette in Paris, to
artists with whom he collaborates on a variety of projects. The first exhibition of this
kind took place in January 2010 with a projection of documentary shorts by Mohssin
Harraki, Mason, the second artist invited into the space, chose to test a new prototype of
rotary camera showing ten colour photographs taken in the suburbs of Marrakech. The
space allowed the artist the specific requirement he needed for setting up this particular
device. Seamus Farrell chose to make the space open to the public on request in order to
provide a more personal experience and moment between the work and the viewer. An
artist’s studio such as this is a space for both the fabrication of ideas and the returning of
experiences according to a set calendar. It is along this line of thought that the English
artist Peter Fillingham accepted this invitation.
For this third collaboration, Peter Fillingham has focused his attention on the
assemblage of everyday objects, returning to question the use and function of the object.
It has now been four years since Peter Fillingham moved to Saint Ouen, a suburb of
Paris that reminds him of his hometown in England. Saint Ouen offers many possibilities.
The working space on Rue Claude Monet becomes part of daily activities, as its doors
literally open up onto the street, making this working space a part of everyday life.
This partnership between Peter Fillingham and the Laundrette makes evident, that the
studio is first and foremost a space for production and testing certain devices. He is
fascinated by the functionality of objects and the misappropriation, which they offer. The
particular aesthetic association of each object and how they are used, how we live with
them according to the era from which they originate. He has a strong relationship and
interest in his living space and equally with his own working space as an artist. In his
work there is a certain intimacy which expresses itself through the way people arrange
their spaces both in their public and private lives.
This work anchored by its autobiographical ties, presents memories of shopping as a
family ritual. “It is one thing to consume an object, and another to question how one uses
an object and the associations that we make for such things. I question my everyday life,
this is the main body of my work.”
The work installed in the Laundrette comprises of three components. The first (Untitled
2010) is a large format television from the 1980s, which shows a series of
autobiographical photographs with subtle references to the wealth of his previous
collaborations (such as with the director Derek Jarman or the artist David Medalla or
the curator Peter Lewis).
The second component entitled “Something that will last forever” 2010 is taken from the
artist’s collection of things, which also features within the previous work. Thirdly, an
arrangement of bottles of Sherry and Sherry glasses.
“What is important is the mixture of objects, as aged as they are beautiful. I see them as a
collection of objects that have to remain as one; together they assume a different life.
Like a tomb of my belongings, a sort of archive, but one can imagine that it could be a
kind of baptism or celebration.”
Opening Saturday 22 of May at 7pm, 6 rue Claude Monet 93400 Saint-Ouen.
Exhibition runs from 22 May to 19 June 2010. By appointment t. 06 85 80 09 23
Metro line 13, Marie de Saint-Ouen or line 4, Porte de Clignancourt. FRANCE
Wednesday 19th May 2010 - Author:
Adam
- grenzART 1 - das Oberland Performance Art Festival
- grenzART 1 -
das Oberland Performance Art Festival
vom 22. bis 24. Mai 2010
in Kirschau
Die internationale Performance-Szene trifft sich im ländlichen Raum der Oberlausitz!
Über 40 Künstler bieten ein einmaliges künstlerisches Erlebnis für die Bewohner und Besucher der Oberlausitz!
Folgende Künstler und Künstlergruppen werden am Performancefestival teilnehmen:
Darina Alster (Tschechische Republik)
Janusz Bałdyga (Polen)
BBB Johannes Deimling (Deutschland)
Neno Belchev (Bulgarien)
Marta Borowska (Polen)
Veronika Bromova (Tschechische Republik)
Hannes Egger (Italien)
Sebastian Ehrentraut Wogs (Deutschland)
Jürgen Ulrich Fritz (Deutschland)
Andrés Galeano (Spanien)
Arno Glauch (Deutschland)
Kathrin Graf (Deutschland)
Christine Hase (Deutschland)
Stefan Hauberg (Deutschland)
Elisa Haug (Deutschland)
Tabea Hörnlein (Deutschland)
LAN Hungh (Taiwan)
Anja Ibsch (Deutschland)
Antoni Karwowski (Polen)
Svatopluk Klimeš (Tschechische Republik)
Lenka Klodová (Tschechische Republik)
František Kowolowski (Tschechische Republik)
Kultur Aktiv (Deutschland)
Myriam Laplante (Kanada)
Céline Larrère (Frankreich)
Beate Linne (Deutschland)
Malte Lück (Deutschland)
Bartosz Lukasiewicz (Polen)
Alastair MacLennan (Großbritannien)
Helge Meyer (Deutschland)
Danka Milewska (Polen)
Tamara Moyzes (Slowakei)
Gabriele Neumaier (Deutschland)
Thomas Neumaier (Deutschland)
Sally O'Dowd (Irland)
Kenji Ouellet (Kanada)
Marion Ritzmann (Österreich)
Tomáš Ruller (Tschechische Republik)
Dorothea Seror (Deutschland)
Claudia Kappenberg (Deutschland)
White Market (Deutschland)
Rüdiger Steiner (Deutschland)
Jiří Surůvka (Tschechische Republik)
Melati Suryodarmo (Indonesien)
Kamil Wnuk (Polen)
Martin Zet (Tschechische Republik)
- grenzART 1 -
das Oberland Performance Art Festival zu Pfingsten 2010
Waldstrasse 23
02681 Kirschau
Germany
fon:+49.3592.391180
grenzart@obart.eu
www.obart.eu
Wednesday 12th May 2010 - Author:
Adam
Planning Cyril Lepetit
Planning
Private View Friday 21 May 6-9pm
Cyril Lepetit's work is about the intimate and the very public. It's about the things we want, the things we can do, and the things that we do anyway. Paintings, sculptural elements, live actions and video works often articulate a journey through desire.
For his exhibition at Danielle Arnaud Contemporary, he will present a series of works responding to the London family home as well as its outside world.
The starting point of this show will be his last piece, Technotrans, a work developed in between France and England. This sound based piece was created with asylum seekers & refugees. They were asked to sing a song from their home country and an English one that they may have known before entering the UK. The recordings were then presented as a dj mix in the back of a lorry at a truck transport industry convention in France, also known as Technotrans.
http://www.daniellearnaud.com/
Monday 26th April 2010 - Author:
Adam
COMING SOON: Soundtrack to a Catastrophic World
Saturday 24th April 2010 - Author:
Adam
GLOW II: Rites of Spring
image- Taras Golubkov + Oskana Trypolskal
GLOW II: Rites of Spring
Narrative and Non-Narrative Video Program
Thursday, April 29th-Saturday, May 1st, 2010
Bar Z
GLOW II
artists include~
Alexander Aparzev
..........................................Stephan Apicella Hitchcock
Alice Bradshaw
..........................................Johannes Buss
Eli Cortinas
..........................................Yuriy Kruchak + Yulia Kostereva
Danielle de Picciotto
..........................................Thomas Draschan
Jenna Duncan
...........................................Matl Findel
Angela Freiberger
...........................................Taras Golubkov + Oskana Trypolskal
Heide Hatry
............................................Lan Hungh
Daniela Imhoff
............................................Simona Koch
Konstantin Kopietz
............................................Shanghay Surbir
Megan+ Murray McMillan
............................................Vlad Marmaladov
Lauren Moffatt
.............................................Jonathan Monaghan
Olek
.............................................Sarah Ludmann
Magdalena von Rudy
.............................................st.& st.
Denis Salivanov
..............................................Vadim Schäffler
Christine Schulz
.............................................Karol Slowik
Kai Teichert
............................................. Rachel MacLean
Paul Rascheja
.......................................Andreas Lorenschat
Nathalie Percillier
………………………………………
Installations
~Danielle de Picciotto April 29 2010
~Alexander Aparzev April 30 2010
~Thomas Draschan/Matl Findel May 1 2010
Performances
~OLEK All Nights
GLOW II: Rites of Spring
GLOW manifests from a winter’s hearth of cinematic program and video installation to a new program exploring the rite of spring’s luminescence and life.
Hedonism, transcendence, utopias (lost and found), idylls and euphoria(s) explored.
Over 20 artists from Berlin and the international arena will participate in the program.
The Narrative program will begin every two hours in the intimacy of The Z-Bar Kino, while non-narrative works play in the main room throughout.
Over the course of three nights an individual artist has been invited for a specific installation within the space of GLOW.
GLOW curators Adam Nankervis, Gillian Morris and founder and initiator of GLOW, Leo Kuelbs are pleased to announce that the GLOW, manifest in January 2010, was attended by over 200 visitors and has generated much excitement.
Biographies:
Leo Kuelbs
has presented a variety of works in private living spaces, emphasizing the connection and blurring the boundary between art (as objects, spectacle and business) and daily life. This “Living Gallery” concept began in New York in 2006 and is now expanding to Berlin, spring of 2010.
Public shows include “The End. And…” at Frederico Seve Gallery in New York (2009), a four-channel video installation titled “Luminous Flux” at Galapagos Art Space in Brooklyn (2009) and “Applied Kinetics” video projection on the Manhattan Bridge (2008).
Gillian Morris
has worked since 2000 as a translator and editor specializing in art. She has collaborated with curators on catalogues and publications for a large number of institutions and publishing houses including Daimler Kunstsammlung, Deichtorhallen Hamburg, Du Mont Verlag, Hatje Cantz Verlag, Kunsthalle Bremen, Kunstmuseum Stuttgart, Museo Renia Sofia, Museum Ludwig, Hamburger Bahnhof Berlin and The Essl Collection.
After being based in Hamburg for many years, she moved to Berlin in 2006 to set up a gallery to support young artists working in the media video and installation. Following two years in the temporary gallery space in the Brunnenstrasse and participation in a series of art fairs including Viennafair, Loop Video Fair Barcelona, Art Athina and Open Space/Art Cologne, the gallery format has now been abandoned in favour of a curatorial concept that maintains the strong emphasis on video and installation art.
Adam Nankervis
is an artist and independent curator. His practice has infused artistic, conceptual and curatorial practice in his lived in nomadic museum, Museum MAN, which renders the ready made, the habitated box, an apartment, to the navigation of the expanse of museum into an installation of threads of multifarious artists and artistic practice into a whole.
Adam Nankervis has participated in Johannesburg Biennale, curated by Gerardo Mesquera and Okwai Enwazor 1997 collaborating with artist David Medalla-The Mondrian Fan Club, Life-Live. Musee Art Moderne de La Ville Paris 1995, curator Hans Ulrich Obrist, solo exhibitions include Los Angeles Biennale 2001, London Biennale 2009-2010 as International Coordinator.
Adam Nankervis, Museum MAN has also participated in The Liverpool Biennial, 2004 and 2006, The First Latin American Performance Biennale Santiago de Chile 2006 and most recently at the Bereznitska Gallery Berlin and Kiev Ukraine 2009.
Lauren Moffatt
Saturday 24th April 2010 - Author:
Adam
Kunstausstellung HYPERNATURAL
Kunstausstellung HYPERNATURAL
Vom 30. April bis 02. Mai 2010 stellt das stilwerk Berlin, parallel zum Berliner GALLERY WEEKEND, ausgewählte Ausstellungsstücke teilnehmender Künstler aus, welche ihre Werke unter den Titel HYPERNATURAL gestellt haben. Unter anderem von Olivia Berckemeyer, Amélie Grözinger, Astrid Kruse Jensen, Antonia Low, Marco Meiran, Fiona Michie, Adam Nankervis, Tommy, Støckel oder Malte Urbschat.
Nach dem großen Erfolg von „Das Unheimliche“ im Jahr 2009, setzen das KUNST Magazin und der Kurator Florian Müller-Klug ihre Kooperation nun in diesem Jahr fort:
Zum Berliner Gallery Weekend 2010 wird die Ausstellung „Hypernatural“ am Donnerstag, den 29. April, um 19 Uhr im 3. OG des stilwerk Berlin eröffnet. Im Anschluss daran feiert das KUNST Magazin die „4 Jahre KUNST Magazin - Party“.
Weitere Informationen dazu gibt es hier >>>
Der Ausstellungstitel „Hypernatural“ spielt mit der Verbindung der Begriffe „hyper“ (von griech. „über“) und „natural“ (von engl. „die Natur betreffend“). Die Künstler setzen sich mit den kreativen Grenzen des zugleich Imaginären und Realen auseinander: mit dem, was als natürliches Phänomen vorkommt, sowie mit den transzendentalen Sätzen, die auf das Phänomen bezogen werden können. Das Unerklärbare oder Unbegreifliche, das Geheimnisvolle und Verwunschene, das Verborgene und Unsichtbare bis zum Abgrund des Grauens und des Abyss werden zum Thema gemacht und mit einem breiten Medienspektrum bearbeitet.
Wir freuen uns auf Ihren Besuch!
stilwerk Berlin, 3. OG
Ausstellung: 30.04. bis 02. Mai
Öffnungszeiten: 12 bis 20 Uhr
Saturday 17th April 2010 - Author:
Adam
INVITATION TO THE OPENING OF LONDON BIENNALE 2010
image David Medalla + Aaron Shepard London Biennale Arrow tattoo 2004
INVITATION TO THE OPENING OF LONDON BIENNALE 2010 ON THE FIRST OF MAY AT 5 P.M. AT SOHO SQUARE IN CENTRAL LONDON
from 6 p.m. onwards on the same day (May 1, 2010): CONGENIAL CONVERSATIONS IN THE ANGEL PUB beside St. Giles Church, behind the tall Centre Point Building on Tottenham Court Road in Central London
Dear Friends,
Warm greetings!
Come and bring friends to the opening of LONDON BIENNALE 2010 on the First of May at 5 p.m. at Soho Square in Central London.
Adam Nankervis, our international coordinator and the intrepid director of the nomadic MUSEUM MAN, will deliver the welcome address. After we welcome each other and exchange information about our diverse artistic activities and projects, we will take a short walk to the ANGEL PUB (beside St. Giles Church, behind the tall Centre Point building on Tottenham Court Road). In the saloon bar and in the garden of the Angel Pub we will conitnue our congenial conversations. Please bring with you cameras and darwing materials to document this event.
LONDON BIENNALE 2010 will run until the end of August this year. There will be many events and exhibitions.
Maddy and James Kinghorn will bring a group of artists from Barcelona, Spain to London.
Mabel Encinas is organising events in homage to Brazilian educator Paulo Freire during the Latin American Cultural Week at the University of London's Student Uniion from 17 to the 20th of May 2010.
Stephen Perkins, from the University of Wisconsin, will bring to England a group of American artists.
Marko Stepanov will host a poetry recital organised by Sarah O'Reilly at Marko's bucolic allotment at West Hendon.
Katie Sollohub will host another "Long Shore Drift" on the first week-end in August at Shore-on-Sea in Sussex.
There will also be many international satellite events celebrating LONDON BIENNALE 2010 including:
A tea party which Mary Sherman will organise with Trans-Cultural Exchange at the Taj Mahal Hotel and Cafe in Boston, Massachusetts, USA;
Exhibitions and events which Dominic Cloutier will organise with the Hybrid Art Collective in New York City;
'SIGNALS' events in Berlin, Germany, and Kiev, Ukraine.
I would like to invite all LONDON BIENNALE ARTISTS (including Claudia Wegener in South Africa, Valerie Vivancos in Paris, Peter Oxley and Virgil Clalaguian in Cambodia, Raffaella Losapio and Vicenzo Ceccato in Rome, Antonio Sassu in Padova, Nino Ruju in Naples, Roberto Scala in Sorrento, the Moraldi Art Conspiracy in Cremona, Martino Negrei in Florence, Joyce Rykman and Nasncy Petry in Montreal, Trolley in Vancouver, Rino Telaro and Michael Laird in Belgium, Sebastiaan Schliocher in Holland, and many others world-wide) to initiate satellite events/exhibitions wherever they are.
Please send me your new EROS ARROWS to my address below. Please E mail your EROS ARROW also to the LONDON BIENNALE Page in FACEBOOK.
Best wishes from David Medalla,
11 Naseby,
Hanworth,
Bracknell,
Berkshire RG12 7HD,
Englland
Monday 12th April 2010 - Author:
Adam
nissage am 16. und 17. April: "Juwelias Blumen", Fotografien von Anja Teske
Einladung zur Vernissage
Sehr geehrte Damen und Herren, liebe Kunstfreunde,
ich möchte Sie gerne auf die im April beginnende Ausstellung Juwelias Blumen mit Fotografien der Berliner Künstlerin Anja Teske in meinem Ausstellungsraum in Köln-Ehrenfeld aufmerksam machen und herzlich einladen.
ANJA TESKE: Fotografien
„Juwelias Blumen“ - Ein Arbeitsprozess
Ausstellungseröffnung:
am Freitag, 16. April, 17 bis 23 Uhr
und am Samstag, 17. April, 15 bis 20 Uhr
Ausstellungsdauer bis einschließlich 30. Mai 2010
geöffnet donnerstags von 15 bis 20 Uhr und jederzeit nach Vereinbarung
"Meine Freundin ist es, manchmal auch mein Freund, der seine Kleidung nach Maß arbeitet. Er ist ganz nah dran am Glamour und gleichzeitig aus Fragmenten gebastelt. Er findet und setzt ein, in sein Puzzle, was sich Leben nennt. Ein Stück an die Wand und das nächste auf den Boden, eine Blume im Haar und hinter Glas im Schrank, da muss sie auch im Gemälde auftauchen. Um Details zu erinnern, schreibt er sie auf; eine Notiz und ein neues Bild an der Wand, einen Stein aus Glas auf der Brust und im Spiegel meine Kamera. Er malt sich sein Leben aus." A.T.
Wir freuen uns auf Ihren Besuch zur Eröffnung oder zu einem späteren Zeitpunkt. Die Künstlerin ist an den Eröffnungstagen anwesend. Bringen Sie gerne kunstinteressierte Freunde mit und leiten diese Email weiter.
Mit freundlichen Grüßen
Jürgen Bahr
Eine Abbildung sowie Informationen zu Anja Teske finden Sie im Anhang und unter http://www.anja-teske.de
Aus der Bahn gleiten um zum Halten zu kommen.
Über die fotografischen Serien von Anja Teske - von Frank Wagner
Beim Versuch des Verstehens dieser besonderen Art der fotografischen Werke kommt mir der bekannte Aphorismus „die größten Ereignisse, das sind nicht unsere lautesten, sondern unsere stillsten Stunden“ von Friedrich Nietzsche in den Sinn.
Schon ihre Arbeit über das Hotel Balzer machte mit der hohen Sensibilität der fotografischen Arbeitsweise von Anja Teske bekannt. Die Künstlerin hat eine besondere Eigenart ihr Gegenüber - sei es nun ein Raum, eine Ansammlung von Gegenständen oder eine Person - zu fotografieren, als rutschte es gerade aus dem Bild und würde doch behutsam gehalten. Dieser Eindruck entsteht durch die eigenwilligen Anschnitte, die leicht gekippte Blickachse und ein sachtes Aus-der-Mitte-Rücken. Es ist ein vorsichtig schweifender Blick, der kaum innezuhalten wagt und dennoch höchstes Interesse für die sich ihr bietende Situation bezeugt. Alle ihre Fotografien wirken wie mit größter Vorsicht aufgenommen. Seien es die erwähnten, stillen Aufnahmen, die Anja Teske kurz vor der Entrümpelung und dem Abriss des Hotels in Bad Ems machte, die ungemein meditativen Portraits von Menschen in mitten einer Kirche, oder aber die laute Serie der Kalamitäten mit Staubsaugern, die zwar unruhig, kraftvoll und gespannt, aber ebenso fragil wirken. Oder ihre Arbeit mit Juwelia. Alles bleibt flüchtig und dennoch für den Moment und damit für die fotografische Ewigkeit konserviert. Es könnte auch sein, dass den aufgenommenen Menschen wie den Interieurs etwas zu entgleiten droht: Zeit, Würde, Geltung - oder dass augenblicklich etwas entgleist. Alles wirkt gefasst und gleichzeitig labil.
Dadurch kann sie Nähe und Abstand, Intimität und Diskretion gleichzeitig in ihren Fotos hervorheben. Es entsteht für den Betrachter ein kaum zu lösender Zustand der Spannung. Das Bekannte wirkt fremd, das Vertraute nur etwas entrückt und dadurch unheimlich. Sie erzeugt damit Interesse und Neugier und fordert Sensibilität, jedoch bleibt alles im Vagen, als seien es Momente in der Schwebe - und die Aufgenommenen könnten sich schon nicht mehr an das Geschehene, das Wie und Wo erinnern. Alles ist konzentriert und dennoch flüchtig. Sie setzt den „Decisive Moment“, um den sich doch, seit Henry Cartier-Bresson ihn versucht hat zu definieren, häufig alles dreht in der Fotografie, außer Kraft, indem sie die Bestimmtheit und die Balance in Frage stellt.
Anja Teske gelingt mit ihrer besonderen fotografischen Begabung das Sich-Gewahr-Werden und das Abhandenkommen von Stille, die Sehnsucht nach Ruhe, wie das Innehalten, das Heraustreten aus der realen Welt, um ganz bei sich selbst zu sein, das Ersterben oder auch das Erkennen innerer wie äußerer Leere, festzuhalten. Dieser Moment neben der Spur, der alle ergreift, die vor der Kamera, wie die Betrachter, kann sich im Abbild einstellen. Das macht die Werke so kostbar.
Frank Wagner - lebt als freier Kurator für zeitgenössische Kunst in Berlin.
Ausstellungsraum Jürgen Bahr
Helmholtzstraße 6-8
50825 Köln-Ehrenfeld
(U-Bahn 3/4, Leyendeckerstraße)
Tel.: 0221-9545273
Fax: 0221-9545272
info@juergenbahr.com
_______________________________________________
Anja Teske
Karl-Marx-Allee 95
10243 Berlin
T. + F.: 030-29044251
Mobil: 01577-8202005
www.anja-teske.de
Sollten Sie in Zukunft keine Informationen zu meinen Veranstaltungen erhalten wollen, senden Sie diese E-Mail einfach mit dem Betreff "abbestellen" an mich zurück.
Tuesday 6th April 2010 - Author:
Adam
From The Ideal To The Real Travels with Nostalgia Hatty Vidal-Hall
From The Ideal To The Real
Travels with Nostalgia
Hatty Vidal-Hall
Pop-Up Exhibition
11 Calvert Avenue
Shoreditch
London E2 7JP
FROM THE IDEAL TO THE REAL
Travels with nostalgia
Hatty Vidal-Hall
Pop-Up Exhibition
11 Calvert Avenue
Shorditch
London E2 7JP
hattyvh@mac.com
15 April 2010 [6–8.30pm] opening night
16-25 April 2010 [12–6pm] open daily
First coined a couple of centuries ago to describe a weird and mysterious disease unknown to the physicians of the day, “Nostalgia” became the vogue word among the trendy and the avant garde in the period of austerity that followed the Second World War. Only on the cusp of our own century has it acquired a more material connotation.
Today it’s everywhere: whether the retro thrust of an empty stylistic gesture or a more earnest longing for a lost home recaptured through collected objects, the present is shot through with splinters of the past. A past we build in our imagination.
In an increasingly globalised and dislocated existence we long for continuity, clutching at idealised fragments of the past in an attempt to build something reassuring and real in the present. Nostalgia particularly re-emerges as a defence mechanism in a time of accelerated change and upheaval. Doesn’t really matter if it’s true or false; it’s a place we want to be: anywhere but here. But to articulate what is past does not mean to recognize “how it really was”. Nostalgia for childhood doesn’t necessarily mean that childhood was happy. But it does seem simpler.
We want reassurance, an escape from this world that assails us. Some might seek the England of the past they can no longer recognise in the the Union Jack in better times than now; others the values of then rather than now. Some make an aesthetic connection with a more optimistic time, a time of steadfast belief in a better future. It’s more about invention than memory: we put together the fragments we seek or think we remember in the ideal cosy world of back then to create a world of our imagination we can inhabit. The ideal world of the remembered or imagined past becomes the real world of our imagination.
Some escape to the fantasy of their imagination, others to the religious fantasy. It’s all just as real – or not – as we want it to be.
15 April [6-8.30pm] opening night
16-25 April [12-6pm] open daily
Friday 26th March 2010 - Author:
Adam
'Radical Adults' BERLIN
'Radical Adults'
A group exhibition on the theme of Cults, Subcultures, and the Occult.
Curated by Lotte Møller & Sebastiaan Schlicher
Amerikan Teenager, 'Ritual de lo habitual', video, 28 minutes, 2009
Featuring:
Amerikan Teenager, Christian Achenbach, Tjorg Douglas Beer, Marc Bijl, John Bock, Matthew Burbidge, Johannes Buss, Kimberly Clark, Declan Clarke, Kristian Devantier, Paul McDevitt, Iris van Dongen, Jesper Dyrehauge, Marcel van Eeden, Marcus Eek, Love Enqvist, Heiner Franzen, April Gertler, Philip Grözinger, Amelie Grözinger, Hannes Gruber, Lise Harlev, Asmund Havsteen-Mikkelsen, Ada van Hoorebeke, Adrian Lohmüller, David Medalla, Fiona Michie, Marco Meiran, Ulrik Møller, Adam Nankervis, Cornelius Quabeck, Jorge Queiroz, Marjolein Rothman, Hester Scheurwater, Moritz Schleime, Sebastiaan Schlicher, Tommy Støckel, Egill Sæbjørnsson, Eoghan McTigue, & Elmar Vestner.
31st of March 2010,
8pm-Midnight
THE FORGOTTEN BAR / GALERIE IM REGIERUNGSVIERTEL
BOPPSTRASSE 5
10967 BERLIN
+ PARTY continues with LOVE-IN @ S.I.N. Bar and Project Space, Schönleinstrasse 6. Featuring a mural by Hannes Gruber + exclusive screening of the legendary psychedelic mylar masterpiece 'Invasion of Thunderbolt Pagoda' (Ira Cohen, 1968) at 23:00.
On the Decks: Marc Bijl, Iris van Dongen.
www.galerieimregierungsviertel.org
http://amerikanteenager.blogspot.com/
Monday 15th March 2010 - Author:
Adam
GLOW II: Rites of Spring
GLOW II: Rites of Spring
Narrative and Non-Narrative Video Program
Thursday, April 29th-Saturday, May 1st, 2010
Bar Z
Bergstrasse 2
Mitte, Berlin
GLOW II: Rites of Spring
GLOW manifests from a winter’s hearth of cinematic program and video installation to a new program exploring the rite of spring’s luminescence and life.
Hedonism, transcendence, utopias (lost and found), idylls and euphoria(s) explored.
Over 20 artists from Berlin and the international arena will participate in the program.
The Narrative program will begin every two hours in the intimacy of The Z-Bar Kino, while non-narrative works play in the main room throughout.
Over the course of three nights an individual artist has been invited for a specific installation within the space of GLOW.
GLOW curators Adam Nankervis, Gillian Morris and founder and initiator of GLOW, Leo Kuelbs are pleased to announce that the GLOW, manifest in January 2010, was attended by over 200 visitors and has generated much excitement.
Biographies:
Leo Kuelbs
has presented a variety of works in private living spaces, emphasizing the connection and blurring the boundary between art (as objects, spectacle and business) and daily life. This “Living Gallery” concept began in New York in 2006 and is now expanding to Berlin, spring of 2010.
Public shows include “The End. And…” at Frederico Seve Gallery in New York (2009), a four-channel video installation titled “Luminous Flux” at Galapagos Art Space in Brooklyn (2009) and “Applied Kinetics” video projection on the Manhattan Bridge (2008).
Gillian Morris
has worked since 2000 as a translator and editor specializing in art. She has collaborated with curators on catalogues and publications for a large number of institutions and publishing houses including Daimler Kunstsammlung, Deichtorhallen Hamburg, Du Mont Verlag, Hatje Cantz Verlag, Kunsthalle Bremen, Kunstmuseum Stuttgart, Museo Renia Sofia, Museum Ludwig, Hamburger Bahnhof Berlin and The Essl Collection.
After being based in Hamburg for many years, she moved to Berlin in 2006 to set up a gallery to support young artists working in the media video and installation. Following two years in the temporary gallery space in the Brunnenstrasse and participation in a series of art fairs including Viennafair, Loop Video Fair Barcelona, Art Athina and Open Space/Art Cologne, the gallery format has now been abandoned in favour of a curatorial concept that maintains the strong emphasis on video and installation art.
Adam Nankervis
is an artist and independent curator. His practice has infused artistic, conceptual and curatorial practice in his lived in nomadic museum, Museum MAN, which renders the ready made, the habitated box, an apartment, to the navigation of the expanse of museum into an installation of threads of multifarious artists and artistic practice into a whole.
Adam Nankervis has participated in Johannesburg Biennale, curated by Gerardo Mesquera and Okwai Enwazor 1997 collaborating with artist David Medalla-The Mondrian Fan Club, Life-Live. Musee Art Moderne de La Ville Paris 1995, curator Hans Ulrich Orbrist, solo exhibitions include Los Angeles Biennale 2001, London Biennale 2009-2010 as International Coordinator.
Adam Nankervis, Museum MAN has also participated in The Liverpool Biennial, 2004 and 2006, The First Latin American Performance Biennale Santiago de Chile 2006 and most recently at the Bereznitska Gallery Berlin and Kiev Ukraine 2009.
Tuesday 9th March 2010 - Author:
Adam
SCULPTURE NOW
David Medalla "Homonculus, 1"
-----------------------------------------------------
SCULPTURE NOW
Exhibition 18 March - 1 April 2010
Ekkehard Altenburger, Anna Barham, Edward Chell, Judith Dean, Laura Emsley,
Phillip Evans and Caron Ottewell, Donna Fleming, Anthony Heywood,
Peter Hofer, Andrew Marshall, David Medalla, Charlotte Moth,
Peter Liversidge, Victor Mount, Ba Stunt,
Jessica Voorsanger,
Laura White
Private View: Thursday 18 March 2010 5-7
Sculpture Pecha Kucha: Wednesday 24 March 11am Cragg LT
Herbert Read Gallery
University for the Creative Arts
New Dover Road, Canterbury, Kent CT11 3AN
www.ucreative.ac.uk
Admission free
10am -5pm Daily
) my drawing for my project of a monumental sculpture in homage to
Mondrian and Malevich. Inside a tall building large kinetic neon
sculptures of Mondrian and Malevich are projected upon the glass
windows. I made the drawing in New York City last year (2009). It is
related to an art work I made of young Mondrian gazing through
multi-coloured stripes on a window. The drawing was included in the
exhibition "Strip/Stripes" curated by Joao Simoes at the Emily Harvey
Foundation in New York City last year.
2) a black and white
photo of my sculpture entitled "Homonculus, 1", together with the text
of a letter I wrote on 1 March 2020 to Adam Nankervis. This small
sculpture is part of a new series of art works in many media (drawings,
paintings, collegaes, sculptures, installations and performances) which
are collectively entitled "Angels and Homonculi". They are my homages
to the alchemists of East and West and to the Illuminati of Past,
Present and Future. Like many of my previous art works, such as the
first bubble machine and the first 'Stitch in Time', I start a new
series with a small object. This is true in the case of "Angels and
Homonculi" and the monumental neon sculptures in homage to Mondrian and
Malevich.
David Medalla
Monday March 8 2010
David Medalla -Mondrian+Malevich
Friday 5th March 2010 - Author:
Adam
campaña de ayuda para chile...chile campaign to help ....
Estimados, quien les escribe es Gonzalo Rabanal y junto con saludarlos les doy las gracias a los muchos amigos que nos han llamado, escrito, para saber de nosotros después de la enorme cataclismo que nos ha tocado vivir. Decirles que en Santiago la situación esta controlada y que solo los hermanos del sur (región del Maule y Bio-bio) viven la desolación, la incertidumbre y el caos, producto de las muchas razones que no vale la pena profundizar.
Frente a este escenario puedo decir que vivimos el duelo y esa conmoción de desazón emocional y espiritual pasará en la medida que todo retorne a la calma. Porque la destrucción de esta tragedia ha dejado a muchos separados y fracturados con la realidad familiar, este duelo nos ha despojado de los sueños e interrumpe nuestro futuro. Lo que era, ya no es más. Lo que concebíamos ayer, hoy ya no se sustenta. Nos ha cambiado la vida irremediablemente. Mientras el mundo avanza, el propio se ha detenido y venido a bajo. El tiempo no adelanta.
Finalmente decirles que esta experiencia es una prueba más de coraje y de fuerza del espíritu humano y nos recuerda la inestabilidad de la vida. Pudimos perder muchas cosas, se nos vinieron abajo muchos sueños, se nos cayeron nuestras casas, pero no se nos han caído nuestros brazos. Seguiremos adelante!!!
Invito a todos los amigos, artistas y performistas a sumarse a esta campaña y colaborar con esta cruzada de ayuda para los miles de Chilenos que lo han perdido todo después de esta terrible tragedia.
Se despide de ustedes Gonzalo Rabanal.
Coordinador proyecto DEFORMES.
Dear Friends:
Thank you very much to all of you who have either called or written us to know about our situation after the enormous cataclism ( giant earthquake) we lived here in Chile. In Santiago the situation is almost controlled but in the regions at the south of Santiago, our brothers from Maule’s region and Bio Bio’s region are still suffering the effects of this devastation: they live desolation, uncertainty and chaos. They are with no food, no water, no power, no medicines, no hospitals because were collapsed. etc.
Against this background I can say that we are experiencing the grief and the shock of emotional and spiritual distress that will extend until everything return to calm. Because the destruction of this tragedy has left many separated from their loveones and fractured with their family’s reality. This mourning has stripped us of our future dreams and interrupts our future’s plans, just suddenly. What is was is no longer, is not anymore. What we conceived yesterday today is not supported. Our lives have changed irreparably , while the rest of the world progresses, our has been arrested and gone down. Finally I want to say that this experience is further proof of courage and strength of human spirit and reminds us the fragility of life.
We could lose a lot of material things, we came down many dreams, we dropped our houses, but we have not dropped our arms.
We will go ahead!! …. with the high spirit in the face of adversity. I invite all friends, artists and performers to join us in this campaign and working with this crusade to help the thousands of Chileans who have lost everything after this terrible tragedy. Following, you will find some addresses and telephon numbers in order to collect donations.
Efforts are well underway to support the recovery in Chile from this earthquake. Some of these are directed to regional man power needs.
Greetings from Gonzalo Rabanal.
Chile DEFORMES coordinator.
DONACIONES EN DINERO:
-Cruz Roja: N° cuenta corriente: 362883 Banco Estado a nombre de: Cruz Roja Chilena
-Caritas Chile: N° cuenta corriente: 0-082-18-00080-1 Banco Santander RUT: 70.020.800-1. Informaciones: culloa@caritaschile.org
-Un Techo para Chile: Donaciones por transferencia electrónica a la cuenta 399409-0 del Banco Santander a nombre de Fundación Un Techo para Chile, Rut: 65.533.130-1, o por ventanilla a la cuenta 2010 del Banco Santnder.
-Hogar de Cristo: Donaciones a la cuenta del Banco BBVA Nº 0036-0100586041 a nombre del Hogar de Cristo RUT 81.496.800-6.
-Exterior: Las donaciones serán canalizadas por Unicef y por Direct Relief International. Se puede donar en el siguientes sitio:http://www.google.com/relief/chileearthquake/. También puede donarse por medio del Citibank, Cuenta corriente Nº 9941973331, Código ABA:021000089, Dirección: 153 east 53 Rd. Street 4th floor. New York, Ny 10022.
-U.S.A: Donaciones por mensaje de texto. Por favor difundir! Enviar un SMS con texto “CHILE” al 20222 o al 25383 para donar US 10 a Habitat for Humanity o a World Vision.
DONACIONES EN ESPECIES:
Se necesitan alimentos no perecibles (arroz, azúcar, aceite…), líquidos (agua embotellada, leche), productos de higiene (cepillos de dientes, toallas higiénicas, pañales), ropa y calzado de abrigo en buen estado. En algunos lugares también se reciben frazadas, colchones, sacos de dormir y medicamentos NO VENCIDOS. Por favor revisa qué es lo que se recibe en cada lugar pues no todos los locales aceptan todo.
-Iglesias – Nacional: Se recibirán sólo alimentos no perecibles (arroz, fideos, leche en polvo, aceite), no vestuario ni medicamentos, en todas las parroquias del país desde las 12 hrs. Para buscar la más cercana, http://www.iglesia.cl/parroquias/index.php.
-Hogar de Cristo – Nacional: Piden frazadas, pañales, leche en polvo y alimentos no perecibles. Desde mañana lunes 1º a las 12:00 hrs. pueden dejarse en todas las sedes del Hogar de Cristo del país y en Santiago se reciben en el Colegio San Ignacio El Bosque (Pocuro 2801, Providencia) y en el Hogar de Cristo ubicado en Gral. Velásquez.
-Cruz Roja: Recibe alimentos no perecibles, agua, pañales y ropa en su bodega en Seminario 973, Ñuñoa.
-FECH – Santiago: La Federación de estudiantes de la Universidad de Chile (FECH), estará recibiendo alimentos no perecibles, vestuario y calzado de invierno, artículos de aseo personal, colchones y ropa de cama. Estos serán luego derivados a la Cruz Roja o directamente a los afectados. Periodista José Carrasco Tapia número 9, cerca de la Plaza Italia.
-SOS PUC – Santiago: La Federación de Estudiantes de la PUC recibirá alimentos no perecibles, productos de higiene y pañales, ropa, y agua potable envasada en sus campus de San Joaquín y Lo Contador desde el 1 de Marzo hasta el Viernes 5, de 09:00 a 21:00 hrs.
-UDD – Santiago, Oriente: Colecta de ropa, frazadas, calzado y comida no perecibles en la Universidad del Desarrollo de San Carlos de Apoquindo (Avenida La Plaza 680, Las Condes). La ayuda se recibirá del 1 al 5 de Marzo desde las 10 am hasta las 8 pm.
-Municipalidad de Vitacura: Av. Bicentenario 3800. Se reciben alimentos no perecibles, pañales, leche en polvo, medicamentos, ropa de abrigo, frazadas y colchones además de materiales construcción, linterna y pilas.
-Grupo “Ayuda para Llico” – Santiago, Oriente: Un grupo de universitarios está organizando por Facebook una recolección de especies para entregar en el sector de Llico, Iloca y Duao, afectados por un enorme Tsunami.
http://www.facebook.com/group.php?v=wall&ref=search&gid=333473339442. Recibirán especies desde las 10 am en Virgo 1732, Vitacura (frente al Bar Dublin) y a las 8 am en el faro del Apumanque a las 20 pm en un jeep blanco. Revisar bien el grupo por si hay modificaciones.
-Greenpeace – Santiago: Recibimos un aviso oficial de que el aviso de recepción de especies para Juan Fernández que anda dando vueltas por internet NO ES REAL. Por favor avisar a todos sus conocidos para evitar que se siga esta entrega de ayuda ilegítima.
-Iquique: La municipalidad de Iquique estará recibiendo ayuda en el Estdio Viejo frente a Cavancha por Avenida Prat y recibirá pañales, leche, alimentos no perecibles, líquidos (agua y leche), y frazadas. Para más información llamar al 057514736.
-La Serena: El día Lunes 1 de Marzo desde las 11 hrs en la plaza Buenos Aires se estarán recaudando alimentos y ropa. No sabemos hasta qué hora, mientras antes vayan, mejor. (Infomación recibida por un lector, favor confirmar).
-Copiapó: Llevar aportes el Lunes 1 desde las 16:00 hrs a Chacabuco 780 (entre Infante y Portales).
-5ta región: Se recibirán especies el Lunes 1 de Marzo desdelas 9 am en la Casa Central de la PUCV. Reciben pañales, frazadas, alimentos, art. aseo, etc.!.
-Puerto Montt: Se recibirá leche, agua y pañales.. hay que ir a dejarlos a las escuela 6 (Escuela España) a partir del día Lunes 1 de Marzo. El día MIERCOLES serán llevados en un avión hércules de la fuerza aérea hacia Concepción.
-Exterior: Para ayudar desde fuera de Chile, por favor consultar en la embajada o consulado de Chile en su país. Direcciones y datos de contacto en: http://www.embajada-online.com/Chile-P36.htm o en http://chileabroad.gov.cl.
-Argentina: Se reciben medicamentos, pañales, frazadas y agua mineral para enviar a Chile. Se necesitan antifebriles, antiinflamatorios y antibióticos. Se recepcionarán los días 1, 2 y 3 de Marzo de 10 a 18 hrs, en la Parroquia Santo Tomás Moro (Urquiza 1460 – Vicente López, Buenos Aires). Contacto e info: redsolidaria@fibertel.com.ar y al fono 011 4791 5184.
VOLUNTARIADO:
-Un Techo para Chile – Santiago: Mañana Martes 2 se realizará una nueva jornada con voluntarios a las 8am, es importante llegar puntual. Se asignarán tareas como reconocimiento de daños o reemplazo de semáforos. Deben llevar ropa de trabajo, tarjeta bip y almuerzo. La cita es nuevamente en el Colegio San Ignacio de Alonso Ovalle (Alonso Ovalle 1452, entrada por la cuadra de atrás, en calle Vidaurre), Metro Moneda, a las 8:00 am. Cuando tengamos info de reuniones en regiones avisaremos, mantente atento a éste posteo. Pueden inscribirse como voluntarios para viajar al sur en www.untechoparachile.cl y en los fonos: 8387360 / 8387304 / 8387355. Hay que tener paciencia, el sistema está muy colapsado.
Ayuda a Fundación Las Rosas – Santiago: Un grupo está coordinando visitas a 40 hogares de abuelos que necesitan ayuda. Más información favor de comunicarse al cel. 95330170 o al mail muevetechile@muevetechile.org. Pueden entregarse alimentos no perecederos en Rivera 2005, Independencia.
-El Grupo de Facebook Chile Arriba coordina una salida de Santiago a Curicó o a otras zonas que se requieran para el día Viernes 5 de Marzo. http://www.facebook.com/group.php?gid=336459906763
-Federación USACH – Santiago: Reunión de organización estudiantil para el Lunes 1 a las 11 am en la federación.
-Fech – Santiago: Quienes quieran ser voluntarios deben enviar sus datos a ayuda@fech.cl o llamar al 9771932. No pudimos confirmar, pero al parecer se reunirán voluntarios afuera de la oficina mañana Lunes a las 15 hrs.
-UDD – Santiago, Oriente: Están realizando una colecta de ropa, frazadas desde el 1 al 5 de Marzo, 10 am a 8 pm. Toda la ayuda de voluntarios es bien recibida. Universidad del Desarrollo de San Carlos de Apoquindo (Avenida La Plaza 680, Las Condes).
-Cruz Roja: La Cruz Roja desmintió la supuesta reunión de mañana de voluntariado, que menos mal no alcanzamos a publicar :) . Dicen que si están recibiendo inscripciones por email (juventud@cruzroja.cl y para mayores de 26, desarrollo@cruzroja.cl) para evaluar si se les llama o no, pero no es seguro, pues no les es posible movilizar voluntarios no especializados. PROFESIONALES:
Se ha creado el grupo de facebook “Profesionales voluntarios por Chile!! Ayudemos todos!!” http://www.facebook.com/group.php?gid=10150125316355393&ref=ts. Para dejar el ofrecimiento de voluntariado en la disciplina respectiva, en el foro de discusión. Nombre, algún teléfono y/o email. Profesión y experencia. Idealmente no dar datos muy sensibles (RUT ni dirección). Por favor NO COPIAR este grupo, es ideal que sea uno sólo para canalizar bien la ayuda.
-Salud: El Ministerio de Salud está solicitando voluntarios del AREA DE LA SALUD (profesionales, técnicos y estudiantes. Pedir información al número 600 360 77 77. En el siguiente sitio pueden inscribirse http://spreadsheets.google.com/viewform?formkey=dE0xY096ZnhUaGtTM3RFTG5VMDR1b0E6MA (link entregado por Un Techo para Chile en su cuenta de Twitter, se ve legítimo). También el colegio de enfermeras llama a sus colegas, escribir a comunicaciones@colegiodeenfermeras.cl.
-Psicólogos: Demasiado necesarios. El portal e-psicologia.cl está reclutando para ayudar a las víctimas del terremoto. http://e-psicologia.cl Se reciben psicólogos dentro de su ciudad o que puedan reubicarse. Si alguien puede escribir una guía de ayuda psicológica avíctimas del terremoto, la publicaremos felices. Por favor enviarla por email.
-Ingenieros: Se necesitan Ingenieros CALCULISTAS voluntarios, contactar a la Dirección de Arquitectura del MOP (Morandé 29 piso 9 – 4493624). Si algún ingeniero puede elaborar una guía básica para evaluar daños de casas (qué daños son normales y cuáles son peligrosos para saber si la casa ya no es segura y es necesario buscar ayuda), por favor enviar a todosporunmundomejor@gmail.com.
-Abogados: No sabemos si están pidiendo, para ayudar en demandas o temas de seguros u otros. Si alguien sabe algo por favor avisar.
DONACIONES DE SANGRE:
-El ministerio de Salud (Minsal) ha realizado un llamado a las personas que puedan donar sangre, para hacer frente a la gran cantidad de personas heridas. Se hace incapié en los donantes con sangre 0 RH negativo, muy escasa.
-Valparaíso: Centro de Sangre de Valparaíso, Las Cuevas 965 Subida del Litre, Valparaíso.
-San Fernando: Banco de Sangre Hospital de San Fernando, en Negrete 1401
-Talca: Centro de Diagnóstico Terapéutico, ubicado al Costado del hospital Regional de Talca
-Puerto Montt: Escuela Nº 6 de Puerto Montt, frente a la Plaza de Armas.
-Región Metropolitana, Centro de Sangre Metropolitano, Avda. Vitacura (Ex Hospital Militar) y en la Posta Central (Portugal 125, Metro U.Católica). A las 14 hrs se nos informó que estaba colapsado, con largos tiempos de espera.
-Algunos requisitos para donar sangre: 18 a 65 años – No haber tenido hepatitis, ni tener sida o diabetes – No tener enfermedades renales, pulmonares ni cardiacas – Pesar más de 50 kilos – No haber donado hace menos de 3 meses – No utilizar drogas – Tener pareja sexual estable.
Para quienes quieran donar sangre estos puntos atenderán de 09:00 a 17:00 Hrs. En otras ciudades del país se puede donar en los bancos de sangre de los hospitales respectivos.
AYUDA DE BUSQUEDA:
-Las personas que vivan en lugares afectados y que estén bien, por favor revisen los foros de internet, en que miles de personas preguntan por sus familiares y amigos desaparecidos. Podrían ayudar en la búsqueda, haciendo listas y yendo a refugios masivos a preguntar, registrando personas y revisando si están en la lista de desaparecidos de google (http://chilepersonfinder.appspot.com/?lang=es), o yendo a las direcciones de casas que entregan las personas en sus anuncios. Un ejemplo de ésto: http://sibekay.tumblr.com/page/1.
MONEY HELP/AYUDA EN DINERO
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Bank checking accounts/Cuentas Corrientes habilitadas:
En Chile:
Banco Estado
Checking account #/Cuenta corriente Nº 362883
Red Cross Chile/Cruz Roja Chilena
Tax ID#/Rut: 70.512.100-1
e-mail: finanzas@cruzroja.cl
Overseas/Extranjero:
Citibank
Bank account#:/Cuenta corriente Nº 9941973331
ABA Code/Código ABA:021000089
Address/Dirección: 153 east 53 Rd. Street 4th floor. New York, Ny 10022
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-CANADA: SCOTIABANK N° 40006 01408 13
Embassy of Chile – EARTHQUAKE RELIEF FUND
U.S.A: Donaciones por mensaje de texto. Por favor difundir! Enviar un SMS con texto “CHILE” al 20222 o al 25383 para donar US 10 a Habitat for Humanity o a World Vision.Donations by text message. Send a SMS with the text: "CHILE" to 20222 or to 25383 if you choose to donate USD$10 to Habitat for Humanity .
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Rol de Caritas Chile
This organization into a checking account $$ to be distributed to families hit hard/victims of the earthquake. Caritas Chile pone su cuenta corriente a disposición de la ciudadanía para recibir aportes que permitan paliar el dolor de las víctimas del terremoto sufrido en la madrugada del 27 de febrero de 2010.
Name of Bank Accout/Titular : Caritas Chile
Banco Santander
Account #/Cuenta Nº 0-082-18-00080-1
Tax ID # of CARITAS CHILE/R.U.T. de CARITAS CHILE es 70.020.800-1
Email: culloa@caritaschile.org
More Info/Más Info: http://www.caritaschile.org
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UN TECHO PARA CHILE/ROOF FOR CHILE (The Chilean version of Habitat for Humanity)
1) Donaciones por transferencia electrónica:Donations by electronic transfer
Cuenta 399409-0 del Banco Santander a nombre de in the name of "FUNDACION UN TECHO para CHILE"
Fundación Un Techo para Chile, TAX Id#: Rut: 65.533.130-1
(2) Donaciones por teléfono:Donations by telephone
Calling/Llamando al 800 361 000
(3) Donations to the account 2010 of Banco SantanderDonaciones en la cuenta 2010 del Banco
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►► DONACIONES Y VOLUNTARIADO
GREENPEACE A JUAN FERNANDEZ/Donations and volunteers via Greenpeace to Juan Fernandez Island.
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UN TECHO PARA CHILE
Un TECHO PARA CHILE Voluntarios RM ante la emergencia debemos actuar: Este lunes 1 de marzo nos reunimos a las 7:30 am en el gimnasio del Colegio San Ignacio Alonso Ovalle, entrada Vidaurren.
Un Techo para Chile de Santiago a regiones: Voluntarios dispuestos a prestar ayuda civil o a partir en cualquier momento a la 7 y 8va region… necesitamos NOMBRE, MAIL, TELEFONO DE CASA (importante!!!) Y CEL… Mandar datos a iabbott@untechoparachile.cl, daniela.navarro@untechoparachile.org, jose.navarro@untechoparachile.org A ROOF FOR CHILE - the metropolitan volunteers should mee this Monday, March 1st at 7:30am in the gymnasium of San Ignacio Elementary School on Alonso Ovalle, enter by way of Vidaurren. A Roof for Chile needs: volunteers available to offer civilian help and ready to leave for the 7th or 8th region. Send your: NAME, HOME PHONE # and CELLPHONE#
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CRUZ ROJA/RED CROSS CHILE
Donaciones de alimentos, ropa y frazadas Needs canned foods, clothes and blankets.
Pueden ir a dejar donaciones a Calle Seminario 973, Cruz Roja Chilena. Lo que más se necesita son agua, pañales y comida.Leave donations at Seminario Street 973. Most needed is bottled water QUICK
PRONTO
La cruz roja está próximamente estará necesitando VOLUNTARIOS, para ir a distintas zonas del país. Para los menores de 26 años enviar un correo a juventud@cruzroja.cl Para los mayores de 26 a desarrollo@cruzroja.cl -Indicar nombre, teléfono de contacto, mail, ocupación y SECTOR DONDE PUEDEN AYUDAR (en RM o en otro sector de Chile).The Red Cross soon will need volunteers for the distinct zones of the country. Those under 26 yrs old contact: juventud@cruzroja.cl those older than 26 yrs old contact: desarrollo@cruzroja.cl Indicate name, contact tele#, email, occupation & zone where you can help.
SOLO ENVIAR INFORMACIÓN NO ESTÁN PIDIENDO A LOS VOLUNTARIOS PARA EL DÍA LUNES
http://twitter.com/CruzRojainforma
http://www.cruzroja.cl/
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HOGAR DE CRISTO/CHRIST´S HOME (a long standing charitable Christian organization set up to help)
HOGAR DE CRISTO Y ONEMI INICIAN RECOLECCIÓN DE AYUDAS: Desde mañana lunes 1º a las 12:00 hrs., se reciben frazadas, pañales, leche en polvo y alimentos no perecibles para ayudar a las víctimas del terremoto. Puntos de recolección: todas las sedes del Hogar de Cristo a lo largo del país, y en Santiago el Colegio San Ignacio El Bosque (Pocuro 2801, Providencia) y el Hogar de Cristo ubicado en Gral. Velásquez.
http://www.jesuitas.cl/paginas/noticias/noticias.php From Monday morning, MArch 1st, noon, they will receive blankets, diapers, powdered milk, non-perishable items for the earthquake victims. Collection points: all Hogar de Cristo offices, in Santiago go Pocuro 2801, Providencia & Hogar de Cristo in General Velasquez
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VOLUNTARIOS AL JUMBO/VOLUNTEERS WITH JUMBO (the supermarket chain)
Mañaña Lunes 1 de Marzo a las 11 am se necesitan voluntarios en el JUMBO Alto Las Condes donde saldran buses para la central de distribucion en Pudahuel, la idea es ayudar a ordenar todos los alimentos para que puedan salir ese mismo dia a Concepcion y Maule! Cualquier cosa llamar al 9-6793860. Si quieren ir directo la Direccion de la Central de Distribucion de Jumbo en Pudahuel es Av. Nueva Uno 17.580 en el Sector Noviciado. Cualquier duda llamar a Piero Giaretti al 098270968. Beginning Monday, MArch 1st @ 11am they will need volunteers at JUMBO, Alto Las Condes where buses will leave for the distribution center in Pudahuel. The idea is to help organize foods that can leave daily for Concepcion & Maule. Whatever doubt or question call: 9.679-3860 If you want to go directly to the distribution center the address is: Av. Nueva Uno 17.580 en el Sector Noviciado and/or call: Piero Giaretti al 098270968
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UC/Catholic University
PUC está recolectando víveres y diferentes especias en campus San joaquín y Lo Contador, desde hoy a las 20:00hrs. Ayudemos a Chile!
La Federación de Estudiantes de la PUC recibirá alimentos no perecibles, productos de higiene y pañales, ropa, y agua potable envasada en sus campus de San Joaquín y Lo Contador desde el 1 de Marzo a las 9 am. También la Cruz Roja recibe alimentos no perecibles, agua, pañales y ropa en su bodega en Seminario 973, Ñuñoa. The University of Chile is collecting goods: non-persihable foods, hygene products, diapers, clothes, bottled water in its San Joaquin & Lo Contador Campus from March 1st, 9am. Also, the Red Cross is receiving non-perishable food stuffs in the street: Seminario 973, Ñuñoa
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UCHILE/University of Chile
La sede FECh ubicada en Periodista José Carrasco Tapia N°9 (Vicuña Mackenna, pasos de Plaza Italia) está recepcionando ayudas para los damnificados por el terremoto. La lista de elementos que estamos recibiendo es: Alimentos, Vestuario personal, Calzado de invierno, Artículos de aseo, Ropa de Cama: Colchones. The University of Chile located on: Periodista José Carrasco Tapia 9 (Vicuña Mackenna) near Plaza Italia is receiving help for the eathquak victims. The list of needs that they are receiving are: dry food stuffs, non-perishable food, personal clothing, winter jackets, cleaning items, bed sheets, mattresses or cushions.
http://webfech.blogspot.com/
inscripciones http://spreadsheets.google.com/embeddedform?formkey=dENlYmhvVlkyLUxrTFVuemoteHFRNFE6MA
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UDD/University of Desarrollo
Colecta de ropa, frazadas, calzado y comida no perecibles en la UNIVERSIDAD DEL DESARROLLO de San Carlos de Apoquindo ubicado en Avenida La Plaza 680, Las Condes., desde las 10 am hasta las 8 pm, hasta el 5 de marzo. Traten de juntar lo mas posible y llevarlo. Todo sirve. Toda ayuda voluntaria se acepta.Collection of clothes, blankets, shoes & non-perishable food at the UNIVERSITY OF DESARROLLO located on San Carlos de Apoquindo, exactly Avenida La Plaza 680, Las Condes from 10am to 8pm until the 5th of March. Try to bring as much as possible, everything will be useful. Volunteer help accepted.
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UDP/UNIVERSIDAD DIEGO PORTALES
Centros de Recolección UNIVERSIDAD DIEGO PORTALES/Collection Centers
- A partir de las 9.00 de mañana Lunes 1 de marzo.Beginning 9am Monday, March 1st
location: Manuel Rodríguez 343, Santiago Centro
La lista de las cosas que se puede llevar son:The list of things needed:
Alimentos: Arroz (rice), Tallarines (dried egg noodles/sphaghetti), Aceite(cooking oil), Café(coffee), Azúcar(sugar), Leche en Polvo(powdered milk), Té(tea), Legumbres(dried beans)
Higiene(hygiene): Pañales, Toallas Higiénicas, Jabón, Cepillo y Pasta de Dientes.diapers, tampons, soap, toothbrush & toothpast
Ropa(clothes): Ropa Interior para todas las edades (nueva),underwear for children Ropa de Abrigo overcoats, Ropa de todas las edades en buen estado.clothes for all ages in good shape
URGENTE! Agua potable envasada/URGENT! bottled water
Otros Frazadas y Saco de dormir.blankets & sleeping bags
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VOLUNTARIADO MINISTERIO DE SALUD/VOLUNTEERS FOR THE MINISTRY OF HEALTH
INSCRIBETE ACA PARA SER VOLUNTARIO DEL MINISTERIO DE SALUD (SOLO PROFESIONALES Y TECNICOS DE SALUD) PLEASE INSCRIBE HERE TO BE A VOLUNTEER (DOCTORS & NURSES)
INGRESA TUS DATOS PARA SER CONTACTADO CUANDO APENAS ESTEN DISPONIBLES LAS CONDICIONES PARA VIAJAR A LAS ZONAS AFECTADAS SERAS CONTACTADO.(INCLUDE YOUR CONTACT INFORMATION AND YOUR SPECIALTY AND WHEN YOU ARE AVAILABLE TO TRAVEL TO THE AFFECTED AREAS)
http://spreadsheets.google.com/viewform?formkey=dE0xY096ZnhUaGtTM3RFTG5VMDR1b0E6MA
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SAGRADOS CORAZONES DE ALAMEDA/SACRED HEART OF ALAMEDA
Lugares de recepción de ayuda estarán abiertos a partir de este lunes 1 de marzo a las 12:00 horas. - Gimnasio Colegio Sagrados Corazones de Alameda, Alameda Bernardo O'Higgins 2062, Santiago. Sólo se recibirán los siguientes alimentos no perecibles: arroz, leche en polvo,fideos y aceite. No se recibirá vestuario, medicamentos y alimentos perecibles. Reception point for help will be open starting Monday morning from midnight. Gymnasium of the Elementary School-Sacred Heart of Alameda located on Alameda Bernardo O'Higgins 2062, Santiago They will only receive non-perishable foods: rice, powdered milk, noodles, & cooking oil. They WILL NOT receive clothes, medicien nor perishable food items.
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COLEGIO SEMINARIO PONTIFICIO/ELEMENTARY SCHOOL SEMINARIO PONTIFICIO
desde lunes 1, en el colegio seminario pontificio menor ubicado en padre errazuriz 7001, las condes, se recibira comida no perecible en favor de la víctimas del terremoto. Por favor publica este aviso en el muro para darlo a conocer a todos! Por tu colaboración muchas gracias! From Monday, March 1st this grade school located on Padre Errazuriz 7001, Las Condes will receive non-perishable food for the quake victims.
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COLEGIO ISABEL LA CATOLICA/Elementary School Isabel La Catholic
A partir de mañana en el Colegio Isabel la Católica (Ricardo Lyon Nº 2855) se recibe arroz, leche en polvo,fideos y aceite, desde las 9:00 am From Monday morning, this grade school located on Ricardo Lyon Nº 2855 will receive non-perishable food for the quake victims
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LUGARES DONDE SE RECIBE AYUDA/PLACE TO HELP
http://maps.google.cl/maps/ms?ie=UTF8&hl=es&t=h&msa=0&msid=103299390633192373139.000480b13b34617d3d1dc&ll=-37.055177,-70.97168&spn=19.218665,39.506836&z=5
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AYUDA DE ARRIBA CHILE!!!/ADDITIOANL PLACES TO HELP
Partimos a Curicó a ayudar a los damnificados con alimentos, agua, construcción, limpieza de escombros y otros, por favor unirse quienes realmente van a ir para poder organizar bien al grupo This group will leave for Curico to help the victim with food, water, construction, cleaning the mess among whatever else is needed. Check out this site for more details.
http://www.facebook.com/event.php?eid=355053078071&index=1
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►► DONACIÓN DE SANGRE/BLOOD BANK
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El lunes a partir de las 9 y hasta las 17 hrs. estarán habilitados el Ex Hospital Militar ( Av. Vitacura a dos cuadras del metro Tobalaba)y la Posta Central (Portugal #125, metro católica) para la recolección de sangre.
Si tienes dudas sobre poder donar sangre puedes revisar la siguiente página: Starting Monday, 9am thru 5pm the Ex Military Hospital ( Av. Vitacura a dos cuadras del metro Tobalaba)and the General Public Hospital/la Posta Central (Portugal #125, metro católica) will be collecting blood. If you have doubts do not hesitate to review the following website: http://www.bsburgos.org/donacion_de_sangre.htm
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El ministerio de Salud (Minsal) ha realizado un llamado a las personas que puedan donar sangre, para hacer frente a la gran cantidad de personas heridas. The ministry of Health (Minsal) is requesting blood in mass quantities. The following are locations in the various cities along Chile:
-Valparaíso: Centro de Sangre de Valparaíso
-San Fernando: Banco de Sangre Hospital de San Fernando, en Negrete 1401
-Talca: Centro de Diagnóstico Terapéutico, ubicado al Costado del hospital Regional de Talca
-Puerto Montt: Escuela Nº 6 de Puerto Montt
-Región Metropolitana, Centro de Sangre Metropolitano, Avda. Vitacura (Ex Hospital Militar) y en la Posta Central
Para quienes quieran donar sangre estos puntos atenderán de 09:00 a 17:00 Hrs. En otras ciudades del país se puede donar el los bancos de sangre de los hospitales. For those who wish to donate at these points they will receive you from 9am to 5pm.
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►► OTROS/Other places
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SMS GRATIS/FREE TEST MESSAGES
Sin duda la falta de comunicación con los seres queridos es uno de los problemas principales. Without a doubt communication with loved one is a major problem By means of: Por medio de http://evaphone.com/ se pueden hacer dos llamadas vía IP gratis para todo Chile.you can make calls throughout Chile. Otro dato es http://www.smsflick.com/ en donde se pueden mandar mensajes a celulares de manera gratuita.Message by cellphone and this site are free: http://www.smsflick.com/
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ABRIR REDES WIFI/PLEASE OPEN ALL PRIVATE WI-FI SITES
la conectividad en estos momentos es indispensable, ABRAN sus redes hasta que todo vuelva a la normalidad
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BUSCADOR DE PERSONAS GOOGLE/Search Engine for Missing People
ingresa si sabes algo de alguien, o si buscas a alguien
IDEAL seria que alguien de los sectores afectados se acerque a los albergues, se hagan listas de la gente e ingresarlas al sitio Instructions: Enter the name of the people you are looking for.
http://chilepersonfinder.appspot.com/
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CORTES DE CARRETERAS/Information regarding roads that are blocked
http://maps.google.cl/maps/ms?hl=es&gl=cl&ie=UTF8&oe=UTF8&msa=0&msid=101583086025908752159.000480adeb622070a2cd4
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SITIOS DE INTERES
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http://chilepersonfinder.appspot.com/
http://w2.chileayuda.com/
http://www.onemi.cl/
http://www.cruzroja.cl/
http://www.untechoparachile.cl/
http://www.minsal.cl/
http://www.defensa.cl
Friday 5th March 2010 - Author:
Adam
WHITE SNUFF Ackerkeller 2 Berlin Mitte
Tuesday, March 2, 2010 at 10:00pm
Ackerkeller Bergstr 68 10115 Berlin
WHITE SNUFF sees the beginning of a collaboration of hi/low queer science+arts by a group of Berlin based artists,and invited artistsfrom the international arena who are staging a one night event in Ackerkeller Berlin.
The artists explore different themes of exposing the beauty and its shadows from behind the glass darkly.Hangings,performance,video and mural installations and a big premier and launch party will make up the night WHITE SNUFF.
WHITE SNUFF fanzine by Elmar Kaiser will be first issued at the WHITE SNUFF event.
Since founded in the early '90'sAckerkeller, anon commercial alternative gay location in Mitte follows a longstanding tradition of events,party nights,DJ's andgatherings-Ackerkeller is a Berlin institution,facing closure lookingfor a new location.
WHITE SNUFF is a project supported by Museum MAN
Museum MAN
präsentiert
WHITE SNUFF, markiert den Beginn einer Zusammenarbeit von einer Gruppe Künstlern, die in Berlin arbeiten und leben, mit Künstlern der internationalen Kunstarena in einem einmaligen Auftritt im Ackerkeller Berlin, die einen vielseitigen Blick freigibt auf die homosexuelle Seite des Wissens und der Kunst.
Die Künstler gehen dabei auf verschiedene Aspekte von Schönheit und dessen Schattenseite ein, die, durch ein Rauchglas gesehen, seine dunkleren Schattierungen voraus wirft.
Das WHITE SNUFF Fanzine kreiert von Elmar Kaiser wird dabei zum ersten Mal erscheinen.
Der Ackerkeller ist seit seiner Gründung in den frühen ‘90er Jahren ein Mittelpunkt der homosexuellen alternativen Szene in Mitte in Berlin. Mit seiner langen Tradition von Veranstaltungen, Partynächten, DJ Sessions und Treffen zählt der Ackerkeller zu einer der angestammten Berliner Institutionen, der mit den letzten politischen Umstrukturierungen sich nun konfrontiert sieht, geschlossen bzw. an einen anderen Ort verpflanzt zu werden.
WHITE SNUFF wird unterstützt von MUSEUM MAN
У WHITE SNUFF простой процент сотрудничество, of hi / low queer науку искусства by есть, у group of Берлин, based artists, and invited artistsfrom the международный arena who staging у ара one night event in Ackerkeller Berlin.
достижения, у видео and настенный установки and крупный первый and launch вечеринка вилл WHITE SNUFF.
WHITE SNUFF любительский журнальчик by Elmar Kaiser вилл будьте сначала выпущен в WHITE SNUFF.
Так как основано в раннем '90' Ackerkeller, anon торговый отдел альтернатива гей аренда in у Mitte follows longstanding традиция, of events, вечеринка nights, у DJ' s andgatherings-Ackerkeller простого процента Берлин учреждение, у закрытие и поискаренда.
У WHITE SNUFF простого процента Museum MAN
Artists include to date...
Cristoph Bannat DEU
........................................Anatoly Belov UKR
Johannes Buss DEU
....................................... Lello Lopes IT
Jordan Eagles USA
........................................Brian Kenny USA
Maria Psycho DEU
........................................Cyril Lepetit FRA
Lan Hungh TAW
........................................Elmar Kaiser DEU
David Medalla UK
........................................Slava Mogutin SOV
Ylia Namikov SOV
........................................Adam Nankervis AW
Igor Omulecki POL
........................................ricci/forte ITA/FRA
Kai Teichert DEU
........................................Miguel Villalobos USA
st.+st. DEU
........................................Thomas Draschan AU
SUPERM USA
WHITE TRASH DEU
with performance + sets by James Edmonds+Maria Psycho
Text Aciphele by David Medalla
'ACEPHALE'
by David Medalla
When I saw the image of a headless man on the flyer of the multi-media exhibition 'WHITE SNUFF' which Adam Nankervis is curating at Ackerkelle in Berlin, I remembered a number of things.
Firstly I remembered the time when Adam and I were in the centre of Rome in 2005. While waiting for a bus to take us to the home of Adam's friends Filippo Ceccarelli and Elena Polidori at Trastevere, we wandered into a church whose inner facade was covered with fragments of ancient marble sculpture like a large 3-dimensional collage in stone. We entered the church and saw, in a side chapel, a glass altar in which was stored the decapitated head of St. John the Baptist. There was no explanation of how the head of John the Baptist got there. From the palace of Herod Antipas in Judea to the side chapel in Rome is a long journey by any standard, possible only by means of a miraculous route through space and time.
The head of John the Baptist was the prize Salome demanded from King Herod after she performed her Dance of the Seven Veils. In the 19th century writers and artists were obsessed by the story of Salome and John the Baptist. The interest hovered between necrophilia and destructive eroticism.
Gustave Moreau depicted Salome in jewel-like encrustations of paint. Maud Allan was celebrated for her Dance of the Seven Veils.
Stephane Mallarme and Oscar Wilde were two writers who wrote about Salome. Mallarme's monologue expressed in exquisite symbolist poetry the frustration and the erotic longing Salome felt for the wild saint who baptised Jesus Christ (the Messiah) in the river Jordan. The scene of that baptism, as depicted in Piero della Francesca's painting (now in the National Gallery in London), was the inspiration for a performance entitled 'Four Aces' which I gave (with the participation of twelve handsome young men) at the Swiss Institute in New York City, curated by Mathieu Copeland for 'Peforma 7' in 2007.
Oscar Wilde's 'Salome' was transformed into a great opera by Richard Strauss.
Of the many depictions of the decapitated John the Baptist the most powerful is the painting by Caravaggio.
After seeing the head of St. John the Baptist I remembered the first (and only) time I saw a severed head. It was a shrunken head on a wooden pike stuck into the ground on a promontory (the boundary between the Ifugao and Igorot tribes) above the magnificent rice terraces of the Mountain Province of the Philippines. That was in 1951, probably the last time when the mountain tribes of the Philippines practised head-hunting as part of their tribal rituals and wars. I was ten years old, a student from the lowlands, at St. Mary's School, a school ran by Episcopalian missionaries, in the town of Sagada near Bontoc. The mountain tribes of Luzon island subsequently converted into oppositing kinds of Christianity: Roman Catholicism, preached mainly by Belgian fathers, and different branches of Protestantism, preached by various sects, mainly American in origins. The Episcopalians who ran St. Mary's School in Sagada came from New England.
When I first arrived in Paris in the spring of 1960, I visited the Cathedral of Notre Dame. I was surprised to find one of the sculptures at the entrance to the cathedral was a headless man who carried his had in his hand. I found out later that the headless man was Saint Denis, one of the two patron saints of Paris. The other was Saint Genevieve. I thought how strange: to be walking around, carriying one's head in one's hand. Chopping the heads of kings and queens and of criminals has long been in the DNA of the French.
A few years later my friend Christian Ledoux told me that his friend Philipp Garrell has made a film entitled 'Acephale' ('Headless'). I have not yet seen the film, which has long been a part of the classics of French underground cinema of the 60s. I will ask Hermine Demoriane (who is also a friend of Philipp Garrell) to tell me what 'Acephale' is about. Perhaps she can help me find a DVD copy of the film.
Hermine Demoriane runs the Chateau de Sacy in Picardie, France. Adam Nankervis will become an artist in residence there in the summer of this year 2010. I wonder if Adam will carry some remnant of the "White Snuff" show he is curating in Berlin to Chateau de Sacy in France. Or will the headless naked man on the flyer of the Berlin show accompany Adam to France. I wonder. Dans le monde d'art et de la poesie, toute est possible.
images Anatoliy Belov-Homophobia Today=Genocide Tomorrow
Jordan Eagles Bloody Bobby projection 2010
Friday 19th February 2010 - Author:
Adam
"Hidden Histories" a history surveyed 2004
May 14 - July 11, 2004 Walsall, England
The New Art Gallery Walsall
presents:
"Hidden Histories"
Curated by Michael Petry
past events 2004
Francis Bacon, Per Barclay, Barrett-Forster, Cecil Beaton, Berthold Bell, Nayland Blake, Ross Bleckner, Keith Boadwee, Bruce of LA (Bruce Bellas), Edward Burra, William S. Burroughs, Richmond Burton, Jean Cocteau, Simon English, Robert Flynt, Gan (Gösta Adrian Nilsson), General Idea, Gilbert & George, Duncan Grant, Sunil Gupta, Brion Gysin, David Hockney, Jim Hodges, HowardHodgkin, Horst p. Horst, Robert Indiana, Bill Jacobson, Eugène Jansson, Derek Jarman, Jasper Johns, Ray Johnson, Micah Lexier, John Lindell, Martin Maloney, Robert Mapplethorpe, John McLachlin, David Medalla & Adam Nankervis, Keith Milow, John Minton, Donald Moffett, Michael Morris, bryan mulvihill, Michael Petry, Glyn Philpot, Alexis Preller, Robert Rauschenberg, Eric Rhein, Charles Ricketts, Larry Rivers, Mike Sale, Fin Serch-Hanssen, Charles Shannon, Michael Shaowanasai, Simeon Solomon, Pavel Feodorovich Tchelitchev, Tom of Finland (Touko Laaksonen), Henry Scott Tuke, Cy Twombly, Keith Vaughan, Andy Warhol, David Wojnarowicz, Cerith Wyn Evans.
A fully illustrated book, Hidden Histories, published by Artmedia Press, will accompany the exhibition.
The New Art Gallery Walsall
Gallery Square, Wallsall, United Kingdom WS2 8LG · 0044.01922.654400
The New Art Gallery Walsall
The 20th century is a unique period in the history of gay subculture as it has transitioned from outlaw status to an acknowledged (if not always fully accepted) part of society. Only at the end of a century of great change and new found openness amongst artists can we perceive the full extent of the contribution of artists who were same sex lovers, and the ways in which their sexual identity has affected both their art and the responses to it.
images Ray Johnson James Dean
David Medalla Bahaghari 1997
Sunday 14th February 2010 - Author:
Adam
GLOW berlin II
images-Uder the Over Flys Ylia Namikov 2010
TOUCH Nina Sobell 1987
GLOW
April 30th-May 2nd
Z-Bar
Berlin Mitte
GLOW manifests from a winters hearth of cinematic program and ambient
installation in Berlin, to a new program exploring the rite of Spring's
luminescence and life.
In this latest incarnation of GLOW, curators Adam Nankervis, Gillian Morris
and founder and initiator of GLOW, Leo Kuelbs invite video and new media
artists to respond in both narrative form and ambient installation dialogues
in form of radiant bursts found within the GLOW.
Hedonism, transcendence, utopias (lost and found), idylls and euphoria(s)
explored.
Sunbursts in Arcadian passages, GLOW will again represent short dialogue
driven videos in a traditional cinema-going experience, edited into a
program following the success of the first presentation of GLOW in January
2010 and the installation of video/new media work throughout Z-Bar, Berlin.
Submissions for narrative should exceed no longer than 5-7 mins.
Submissions should be to one of the three curators by March 8th, 2010.
Installation and ambient works will share three monitors throughout Z-Bar on
three separate loops unless a work demands its own requited loop.
GLOW curators are pleased to announce that the large attendance of the GLOW
manifest in January was attended over the course of the evening by over 200
visitors and has generated much excitement.
GLOW will be presented on Berlin Gallery Weekend in Mitte, central Berlin,
April 30th-May 2nd, 2010 and expects a large patronage of artists, curators
and collectors and the general public alike.
ricci/forte WUNDERKAMMER SOAP didion 2009
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